Literary and Scholarly studies during british India
Bengali Literature
Before the impact of the West, the Bengali literature had two distinct sources—that of the learned and the well-to-do, and of the common people. The aristocratic type of literature, that is the former type, was patronised by the Courts, the Chiefs, the landlords.
The poets who wrote for the common people were kabiwals, Kirtanias, Yatras, lappa, Panchi, Dhop etc. But the difference in the form and content of the aristocratic and the common types of literature was not radical.
From the beginning of the nineteenth century a new order began to emerge and a fresh era was inaugurated in Bengali literature. It was, in fact, after the establishment of the Fort William College that important steps towards the development of modern Indian languages were taken.
In order to teach the young English officials Indian languages the college had to undertake compilation works in different subjects and in different languages for the instruction of the students. Dr. Gilchrist was responsible for production of books in Hindustani, Persian and Arabic while William Carey was for Bengali and other languages. Bengali scholars who wrote text books were Mrityunjay Vidyalankar. Ramram Basu, Chandi Charan Munshi, Rajib Lochan Mukhopaydhyaya etc.
The Christian missionaries, were another agency in the development of Bengali prose—Carey, Marshman and Ward were the pioneers in this regard. Their main contributions were works on Bengali grammar, Dictionary, Translation from English. Felix Carey was responsible for the production of the first volume of an encyclopaedia dealing with Physiology and Anatomy. Kalimohan Banerjee an early convert to Christianity edited an encyclopaedia in thirteen volumes called Vidya Kalpadruma. Works on history, philosophy, science etc, were also brought out.
The development of the Bengali language was largely helped by the contributions of the journals like Samachar Darpan, of the Serampore missionaries, Sambad Kaumudi of Ram Mohan Roy, Tattwabodhini Patrika of Devendranath Tagore – Sambad Prabhakar of Iswar Chandra Gupta. Organisations like School Book Society established in 1817 arranged for the supply of cheap books for the schools, and publication of translation of books in Bengali on subjects like history, geography etc.
The Vernacular Literature Society founded in 1851 published books meant for use as rewards and prizes. Among its publications were translation of Defoe’s Robinson Crusoe, St. Pierre’s Paul and Virginia, Lamb’s Tales from Shakespeare and Elizabeth’s the Exiles of Siberia, the different types of movements such as social, religious and political gave a great impetus to the production of literature.
In James Long’s catalogue of Bengali Works 1400 Bengali books and pamphlets have been listed as have been produced in the first half of the nineteenth century. Of the writers of the period Ram Mohan must be reckoned as the precursor and leader. His claim to be recognised as the father of, the Bengali prose literature rests on his originality in composing Bengali in lucid, simple style “at the same time persuasive, orderly and suave, unruffled by winds of emotion or passion”. His works were mainly in prose but he was also a master in poetical composition. He translated Bhagavad Gita in verse and composed many religious songs.
Gujarati
The progress of English education, foundation of educational newspapers and associations, and the efforts of the Christian missionaries gave a great impetus to Gujarati language. In 1814 The Society for Promoting the Education of the Poor within the Government of Bombay was founded by Archdeacon Barnes which gradually set up six schools four in Bombay city one in Surat and one in Broach; in 1826 it set up another school at Ahmadabad. Under the patronage of this society Ranchhorbhai Girdharbhai who had learnt English produced first series of Gujarati text books and became the guide of almost all the aspiring youngmen who took to literature and social reform. The work was carried forward by the students of Elphinstone College founded in 1827 and of the Bombay University founded in 1857.
Kinloch Forbes, an Assistant Judge at Ahmadabad took interest in the study of Gujarati language and history and secured the services of poet Dalpatram Dayabhai who collected old manuscripts and folksongs and folk-tales. In 1848 Forbes founded at Ahmadabad the Gujarat Vernacular Society later named Gujarat Vidya Sabha and started the first Gujarat fortnightly called the Buddhiprakas. After his transfer to Surat he set up a similar society there and started a literary journal called Surat Samachar. Dalpatram’s zeal for social reforms found expression in his poems.
Some of his poems found place in the school text books and had an influence over the young minds for nearly forty years. His poem Hunnarkhanni Chadai (1850) dealt with the evil effects of modern industries on Indian crafts, and was regarded as the first expression of Swadeshi. Narmada Sankar Lal-shankar was the most outstanding literary figure of the second half of the nineteenth century.
His principal works are on Gujarati prosody, Gujarati figure of speech, Gujarati dictionary and a Dictionary mythology. He is regarded as the father of modern Gujarati prose. The only other important prose writer of this period was Navalram Laksh- miram who was a friend of Narmada Shankar. Other important writers were Mahipatram Rupram Nandshankar Tuljashankar.
Marathi Literature
With the passing of the Peshwa’s kingdom into the hands of the British in the first quarter of the nineteenth century, a situation similar to that had developed in Bengal began to rise in ‘the Bombay Presidency and factors—political, social and economic began to operate as they did in Bengal. The Marathi language and literature began to be transformed in the way similar to that of Bengal.
Marathi literature in the eighteenth century and earlier was largely in verse expressing folk sentiments of love and heroism as well as conveying religious and moral teachings. A new literary development began with Eknath and followed by writers like Tukaram, Mukteswar Ramdas etc. In the eighteenth century Marathi literature, mainly poetry, had two distinct divisions, one secular and the other religious and classical.